Borderline was born from an article in Proceso magazine, one of Mexico’s top publications for investigative journalism, about the incredible conditions inside the CERESO de Piedras Negras where the Zetas cartel had been running operations since the early 2000’s. The piece was based on a report by the Colegio de Mexico, and was also included as a downloadable pdf. More tan intrigued, I immediately printed the 70+ page pdf document. Only a fraction of what I read in there actually made it into part one of Borderline, and if you can read Spanish I recommend reading it in its entirety.
At first, I considered making the series about the Zeta-controlled prison exclusively. There was certainly more than enough material to justify it, but given the current political climate in the United States I was afraid that producing a portrait of such a place without the larger context would prove counterproductive,
As soon as I began my research, I came upon Ginger Thompson’s fantastic investigation for Pro Publica about a bungled DEA operation, that resulted in the death or disappearance of more than 300 people in the region of northern Coahuila as the Zetas exacted revenge after the American law enforcement agency “carelessly” revealed the cartel bosses’ private cell phone numbers to Mexican authorities. As it turned out, it was Thompson’s article which spurred the subsequent investigation by Colegio de Mexico scholars into the prison, where many of the killers unleashed on the hapless residents of Piedras Negras and surrounding areas by the Zetas came from.
I quickly realized that I had the perfect story from which to launch a broader examination about the war on drugs. Here was this horrific incident taking place less than 5 miles from the border between Mexico and the United States after more than four decades of a relentless “drug war”. How was this possible? More than forty years engaged in a battle against narcotics and not only are the most violent cartels to date doing business steps from the U.S. border, but the illicit drug market in America has ballooned to an all-time high, raking in $150 billion dollars a year?
Clearly, something else is going on. The truth about America’s war on drugs is out there and has been for quite a while, but mainstream sources of information rarely take on these stories and in most cases work to suppress them. The case of Gary Webb is among the most salient, though not the only one. The facts themselves are the best proof that the so-called war on drugs is a cover for hegemonic foreign policy directives originating in Washington.
In Borderline, I try to lay out some of the facts and provide a broad historical perspective for those who may otherwise not know the full story and find themselves being manipulated by dishonest political discourse. It is not an exhaustive presentation, by any means, but I have tried to cover a large enough swath of events – spanning centuries – to give those who seek a better understanding a solid foundation for further research.
The series starts and ends with the story that is closest to us, both in time and space. But, in between, the root causes of the humanitarian crisis currently expressing itself at the U.S.-Mexico border are finally given the context that is missing from other accounts about the war on drugs and the fictionalized dramas, like Narcos, which have found so much recent success.
The full series is freely available online on the Deep City Chronicles Vimeo channel.