Once in a while, you get lucky in Miami. No, not that kind of lucky; the kind that lets you escape the ubiquitous flashiness and frivolous pursuits that characterize our touristy enclave. Last night, at the North Miami Beach Bandshell, everyone got lucky and witnessed a virtuoso performance by acclaimed Iranian musician, Sahba Motallebi, who was accompanied on stage by Naghmeh Farahmand, an accomplished percussionist trained by her father, Mahmoud Farahmand, considered a master of ancient Persian drum music in Iran.
Motallebi’s story is one of resilience in the face of religious and gender bias in her country, which she left in 2003 to pursue graduate studies. Although her supreme talent was recognized by winning the Best Tar Player award in the Iran Music Festival for four consecutive years, the graduate of the Tehran Conservatory of Music was impeded from continuing her studies as a result of being part of Iran’s largest non-Muslim minority, the Bahá’í. The fact that she was also breaking into the traditionally male-dominated world of Tar playing, made her advancement that much more difficult. At the age of 27, she left Iran for Russia, and later Turkey to further her musical education. Motallebi would eventually emigrate to the United States, where she resides today with her husband and two daughters.
Beyond the strings
Sahba Motallebi travels the world performing her beautiful compositions for the Tar, which means “string” in Persian, and is one of the oldest known musical instruments. The Tar is both the literal and linguistic ancestor of the guitar (gui-tar), which was brought to Spain by gypsies, and is the direct progenitor of Flamenco and other rich musical traditions of the Iberian Peninsula.
In a recent interview with the Miami New Times, Motallebi said that she sees herself as an ambassador for Iranian culture: “Naghmeh Farahmand and I are trying to introduce audiences to Iran through our music.” As well as a role model for Iranian women: “They are going to see me as a person that is going to talk on their behalf, on behalf of women who don’t have civil rights.”
Her passion for music and learning has led Motallebi to impart her knowledge through online instructional materials, which she does whenever she’s not on tour. Fortunately for us, she came to our little slice of dubstep hell, and graced the audience at the outdoor beach venue with a magical and inspiring performance many won’t soon forget. The first piece of the concert is presented in the video, and if you find yourself wishing you could listen to the rest of the show, all I can say is, better luck next time.